Monthly Archives: April 2022

Review: Marry Me

Posted on April 23, 2022 by philipbrasor

It strikes me as odd that Marry Me is based on a graphic novel, since I tend to associate the form with science fiction, young adult themes, or horror/suspense stories. Marry Me is about as generic a rom-com as you’re … Continue reading →

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Review: Paris, 13th District

Posted on April 21, 2022 by philipbrasor

There’s much to like about Jacques Audiard’s breezy feature, adapted by Audiard, Lea Mysius, and Celine Sciamma from a series of stories by Adrian Tomine, and even more to admire in the way it downplays the kind of desperation that … Continue reading →

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Review: C’mon C’mon

Posted on April 21, 2022 by philipbrasor

Though I have mixed feelings about Mike Mills’ quasi-autobiographical family dramedies, I really liked 20th Century Women because it didn’t make a big deal of the central character’s iconoclasm. His latest film, which is not based on Mills’ own life … Continue reading →

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Review: Hatching

Posted on April 13, 2022 by philipbrasor

Horror films that double as allegories have their work cut out for them. Most horror aficionados just want a good jolt or two and having to navigate the symbols and metaphors can be tiresome. Swedish filmmaker Hanna Bergholm’s debut feature … Continue reading →

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Media watch: What’s missing from the discussion of elective names for married couples?

Posted on April 9, 2022 by philipbrasor

Late last month, Seiko Noda, the state minister in charge of gender equality, remarked that a recent Cabinet Office survey to gauge the public’s opinion on allowing couples to retain separate surnames after marrying was misleading. The survey results seemed … Continue reading →

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Review: Dear Comrades!

Posted on April 8, 2022 by philipbrasor

Given what’s going on in Ukraine right now, many people may feel disinclined to take in a Russian movie, but the release in Japan of Dear Comrades!, a 2020 film by Andrei Konchalovsky, is timely in a chilling way. Based … Continue reading →

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Review: The Sparks Brothers

Posted on April 7, 2022 by philipbrasor

Nice bit of timing on the part of the involved local distributors to arrange for Edgar Wright’s documentary about the veteran pop group Sparks to open one week after the Japan release of Leos Carax’s musical (operetta?) Annette, for which … Continue reading →

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Review: Valentina

Posted on April 5, 2022 by philipbrasor

This award-winning film, the debut feature of Cassio Pereira dos Santos, addresses the predicament of trans teens in a country like Brazil, which has certain built-in cultural mores that are at once accepting of sexual minorities and mistrustful of them. … Continue reading →

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Media watch: Press wonders if 2030 Sapporo Olympics is already in the bag

Posted on April 4, 2022 by philipbrasor

In case you weren’t aware, Sapporo, the capital of Hokkaido, is gunning for the 2030 Winter Olympics, a goal that has been met with mixed feelings by not only many Japanese but, seemingly, many residents of Sapporo. Given the trauma … Continue reading →

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Review: Shadow in the Cloud

Posted on April 3, 2022 by philipbrasor

Though she’s done some nominally serious movies, Chloe Grace Moretz seems to be gunning for Milla Jovovich’s position as the premier female sci-fi-action hero of our age. Shadow in the Cloud has all the trappings of a project whipped up … Continue reading →

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