Author Archives: philipbrasor

Review: Materialists

Posted on May 29, 2026 by philipbrasor

As a filmmaker, Celine Song is nothing if not self-aware. Her first film, the lauded Past Lives, referenced her own story as a Korean immigrant to North America in order to plumb the depths of romantic longing as portrayed stereotypically … Continue reading →

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Review: The Forbidden City and Keeper

Posted on May 28, 2026 by philipbrasor

A popular item at international fantastic film festivals for the last year, The Forbidden City presumes to mount an action-packed kung fu extravaganza set in Rome, and for most of the first half lives up to the promise, but it’s … Continue reading →

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Media watch: Lawyer bashed for trying to prevent refugees from being bashed bashes back

Posted on May 27, 2026 by philipbrasor

On May 20 Saitama District Court began hearing a defamation lawsuit brought by a lawyer named Kim Yeong-gong against someone he says directed “hate speech” at him in a blog post in 2024. Kim is demanding ¥7.2 million in damages. … Continue reading →

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Review: Boys Go to Jupiter

Posted on May 22, 2026 by philipbrasor

Since the mid-90s, American animated features have stuck to a seemingly successful pattern: stories aimed at children spiked with visual and verbal jokes that can still appeal to their parents. Needless to say, adults of a certain professional sensibility are … Continue reading →

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Review: Oxana

Posted on May 21, 2026 by philipbrasor

A biopic with a built-in provocation, this French-Ukrainian-Hungarian co-production purports to tell the life story of Oxana Chatchko (Albina Korzh), one of the co-founders of the feminist organization Femen, which made headlines in the 00s by staging anti-sexist and anti-authoritarian … Continue reading →

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Review: EPiC and The Choral

Posted on May 15, 2026 by philipbrasor

What made Baz Luhrmann’s biopic of Elvis Presley so monumental wasn’t what it revealed—if you really want to know about Elvis’s life read Peter Guralnick’s two-volume biography—or its dodgy insights into Elvis’s personality, but rather the way it appropriated Elvis’s … Continue reading →

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Review: The Botanist

Posted on May 14, 2026 by philipbrasor

When most people hear of Xinjiang they probably think of the Uyghur people, who make up a sizable portion of the Chinese province’s population. In that case, they may also think about how the Chinese government has suppressed their culture … Continue reading →

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Review: The Smashing Machine

Posted on May 13, 2026 by philipbrasor

Much has been made of Dwayne Johnson’s lead performance as real-life mixed martial arts fighter Mark Kerr. Critics have lauded his ability to move beyond his action movie appeal to portray a complex individual going through a difficult set of … Continue reading →

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Review: The Sheep Detectives and Now You See Me: Now You Don’t

Posted on May 8, 2026 by philipbrasor

Until Aladdin, big movie stars weren’t normally used as voice actors for animated features, and, in fact, Robin Williams’ Genie set a very high bar that few big names have been able to reach, mainly because of his brilliant ad … Continue reading →

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Review: It Was Just an Accident

Posted on May 7, 2026 by philipbrasor

After It Was Just an Accident won the Palme d’Or at last year’s Cannes, its director, Jafar Panahi, accompanied it to many other film festivals, including Busan, where I first saw it in September and which honored Panahi with its … Continue reading →

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