Author Archives: philipbrasor

Media notes: Government to Japan’s cinema legacy: Get a job

Posted on July 20, 2026 by philipbrasor

On June 25, the National Film Archive of Japan (NFAJ) announced it was launching a crowdfunding campaign to raise money for its continuing operations and existence. The initial goal is ¥100 million, which is not nearly enough to keep the … Continue reading →

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Review: So Long (Ce n’est qu’un au revoir)

Posted on July 18, 2026 by philipbrasor

Guillaume Brac came to filmmaking relatively late in life in that he didn’t study movies as an undergraduate (he went to business school). Consequently, his work has always betrayed a cautious hesitancy with regard to form and style. In his … Continue reading →

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Review: Obsession

Posted on July 17, 2026 by philipbrasor

One aspect of this hit horror film that isn’t covered enough is its humor, especially with regard to its central supernatural instrument. Our hero, terminally shy, barely-of-drinking-age Bear (Michael Johnston), has a deep crush on his co-worker Nikki (Inde Navarrette), … Continue reading →

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Review: Dead Man’s Wire

Posted on July 16, 2026 by philipbrasor

It would be easy to dismiss Gus Van Sant’s latest movie as an exercise in 70s cinema style, which he pulls off with his usual skill and aplomb, but his recreation of a real life hostage incident that took place … Continue reading →

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Review: The Great Arch

Posted on July 15, 2026 by philipbrasor

It seems axiomatic to say that stories about architects are inherently monumental. People who design buildings contend with the future in ways that are different from how other artists work, simply because their creations are supposed to be useful, presumably … Continue reading →

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Review: A Useful Ghost and The President’s Cake

Posted on July 10, 2026 by philipbrasor

Thai director Ratchapoom Boonbunchachoke’s debut feature, A Useful Ghost, has the opposite effect of being haunting. In tone and pace, it’s closer to the work of Aki Kaurasmaki, with actors striking disaffected poses regardless of what they’re reacting to. Moreover, … Continue reading →

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Review: Bring Her Back and Good Boy

Posted on July 9, 2026 by philipbrasor

The Australian Philippou brothers, Danny and Michael, quickly followup their hit debut, Talk to Me, with Bring Her Back, an even more disturbing horror film that relies less on supernatural spookiness; which isn’t to say its plot doesn’t beggar belief, … Continue reading →

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Review: Nouvelle Vague

Posted on July 8, 2026 by philipbrasor

Richard Linklater is much too practical a director to make a movie that doesn’t attempt to entertain, regardless of the subject matter or mode of expression. As the title of his latest film attests, he means to address the French … Continue reading →

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Review: The Love That Remains and Good Valley Stories

Posted on July 3, 2026 by philipbrasor

The Icelandic filmmaker and visual artist Hlynur Pálmason requires his audience to put in some effort—not a lot, but enough to force you to pay close attention—in order to make sense of the domestic dynamic at work within the family … Continue reading →

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Review: Count Basie: Through His Own Eyes

Posted on July 2, 2026 by philipbrasor

This documentary purports to reveal a more intimate side of the legendary pianist and big band leader through “private correspondence and home movies” that, supposedly, have never been made public before. Most of these documents seem to consist of letters … Continue reading →

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