Monthly Archives: June 2023

Review: The Flash and Spider-Man: Across the Spider-Verse

Though it was often called something different, the multiverse has been a fixture of science fiction novels and superhero comics for many years, and at the moment it seems to be an inescapable feature of any sort of fantasy feature … Continue reading

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Review: The Card Counter

In a recent New Yorker profile The Card Counter was described as the second work in a trilogy of films by Paul Schrader about “the man in the room.” As the article points out, almost all of Schrader’s scripts, whether … Continue reading

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Review: The Assistant

Dehumanizing by design, Kitty Green’s debut fiction feature (she has already directed a number of documentaries, mostly on Ukraine) about the punishing workload foisted upon a young female employee of a movie production office in downtown New York doesn’t necessarily … Continue reading

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Media watch: My Number card system could be Trojan horse for individual-oriented society

The government’s scheme to get everyone in Japan, Japanese national and foreign resident alike, to apply for a My Number card has been plagued by problems. The aim of the My Number system is to assign a unique number to … Continue reading

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Review: M3GAN

Though hardly significant, Gerard Johnstone’s comic horror film arrives at a moment when the debate about the meaning of artificial intelligence is finally getting a serious airing, owing mainly to the emergence and popularity of ChatGPT. M3GAN has nothing to … Continue reading

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Number 1 Shimbun column for June

Here is a link to our Number 1 Shimbun column for June, which is about the so-called 2024 Problem related to a shortage of delivery drivers and truckers.

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Review: Peter von Kant

Though it’s not surprising that François Ozon would admire the work of Rainer Werner Fassbinder, you’d have to stretch to find points of thematic intersection. The most obvious thing the two directors have in common is that Fassbinder was and … Continue reading

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Review: Women Talking

There’s a lot of context, not to mention subtext, to Sarah Polley’s latest film, for which she won an adapted screenplay Oscar. Polley based her script on a novel by Miriam Toews, who was inspired by the true story of … Continue reading

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