Category Archives: Movies

Review: All Ears and Joika

For a communist country, the Peoples’ Republic of China produces relatively few non-documentary feature films that focus on work. The theme that has dominated post-Sixth Generation cinema is the personal and psychological costs of a social system that has been … Continue reading

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Review: The Maiden

This debut by Canadian director Graham Foy has been compared to the work of David Lynch, though it lacks Lynch’s sense of the absurd. The script, however, does feature metaphysical situations that may throw some viewers off since they are … Continue reading

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Review: My Dearest Fu Bao

You have to hand it to China for its so-called panda diplomacy. Because everything about the animal is “rare and difficult,” according to a zookeeper quoted in this sentimental South Korean documentary, a certain delicacy is built into its process … Continue reading

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Review: Sing Sing

Certainly the most daring thing that director Greg Kwedar did in adapting an old magazine article about the titular prison’s Rehabilitation Through the Arts (RTA) program, which allows inmates to stage plays, is the way he disregards the crimes of … Continue reading

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Review: Bridget Jones: Mad About the Boy

Though not my cup of tea, the first three installments of the Bridget Jones series made for pleasantly unforced entertainment, probably because the British have developed a better understanding than Hollywood has of what’s charming about romantic comedies, namely a … Continue reading

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Review: I, the Executioner and In the Land of Saints and Sinners

Though I see a lot of Korean movies, I don’t know much about the situation surrounding Korean cinema outside of South Korea or Japan, but I think I understand why this successful sequel to the 2015 cop-action comedy Veteran did … Continue reading

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Review: Tuesday

The debut feature by Croatian director Daina O. Pusić seems purposely designed to throw the viewer off-guard. A ratty CG parrot with wolf-like attributes encounters humans in various states of distress, after which the action cuts to an American woman … Continue reading

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Review: Here

Robert Zemeckis’s career has been built on gimmicks, usually of the technical kind but also conceptual ones. Though most of the attention focused on his latest has to do with the extensive use of de-ageing/ageing AI software and the curious … Continue reading

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Review: Mickey 17

Slapstick wasn’t always a feature of Bong Joon-ho’s cinematic style. It was first noticeable in a minor way in his sci-fi thriller, The Host (2006), and then central to his two English language fantasies, Snowpiercer and Okja. However, his comic … Continue reading

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Review: Emilia Pérez and Femme

At this late date, whatever interesting things Jacques Audiard’s unusual musical has to offer as entertainment have been subsumed by its attendant controversies. But even those interesting things are open to debate, mainly because they rely so heavily on idiosyncrasy … Continue reading

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