Category Archives: Movies

Review: Mona Lisa and the Blood Moon

Posted on November 16, 2023 by philipbrasor

For her third feature, Ana Lily Amirpour returns to the methodology she adopted for her impressive 2015 debut, the Iranian vampire movie A Girl Walks Home Alone at Night, and though the dialogue was in Farsi (Amirpour grew up in … Continue reading →

Posted in Movies | Tagged , | Leave a comment

A conversation about Yasujiro Ozu with Kelly Reichardt

Posted on November 14, 2023 by philipbrasor

The acclaimed American indie filmmaker Kelly Reichardt was invited by the Tokyo International Film Festival to come to Japan and join a symposium to talk about the work of the late Japanese director Yasujiro Ozu to celebrate the 120th anniversary … Continue reading →

Posted in Movies | 1 Comment

Review: You Will Not Have My Hate

Posted on November 10, 2023 by philipbrasor

The title of this movie, based on a best-selling memoir of the same name, probably feels less awkward in French. Having not read the book, I can’t say how much of the movie is faithful to the real life story … Continue reading →

Posted in Movies | Leave a comment

Review: The Beasts

Posted on November 4, 2023 by philipbrasor

Recipient of the Grand Prix at last year’s Tokyo International Film Festival, as well as the prizes for Best Actor and Best Director, this Spain-France co-production is one of the few TIFF winners that seems like it could have been … Continue reading →

Posted in Movies | Leave a comment

Review: Saturday Fiction

Posted on November 3, 2023 by philipbrasor

This is the second feature from Chinese director Lou Ye to open theatrically in Japan this year. The previous movie, The Shadow Play, was a cynical comment on the effects of the postmillennial Chinese real estate boom. Saturday Fiction could … Continue reading →

Posted in Movies | Tagged , , | Leave a comment

Review: Loving Highsmith

Posted on November 1, 2023 by philipbrasor

A feature documentary about the novelist Patricia Highsmith makes perfect sense, since so many of her stories have been adapted into movies, thus providing perfect visual illustrations of her themes and atmospheric writing. However, this Swiss production is mostly about … Continue reading →

Posted in Movies | Tagged | Leave a comment

Review: Hypnotic

Posted on October 25, 2023 by philipbrasor

Per its title, Robert Rodriguez’s uncharacteristically brainy sci-fi thriller has a disorienting effect on the viewer that may result in a condition that many of the characters in the story suffer from: They don’t remember anything of what they just … Continue reading →

Posted in Movies | Tagged | 2 Comments

BIFF 2023: Interview with Nobuhiro Suwa

Posted on October 21, 2023 by philipbrasor

The dean of this year’s Chanel X BIFF Asian Film Academy (BAFA) was veteran Japanese director Nobuhiro Suwa (M/other, Paris je t’aime), who seemed particularly enthused by both the process and the goals of the Academy. For those who don’t … Continue reading →

Posted in Movies | Leave a comment

Review: The Point Men

Posted on October 20, 2023 by philipbrasor

One of three mainstream Korean blockbusters released recently that take place in a war-torn country—the other two being Escape from Mogadishu and Ransomed—and one of two based on a true incident, The Point Men, like Ransomed, deals with a hostage … Continue reading →

Posted in Movies | Tagged , | Leave a comment

Review: La syndicaliste

Posted on October 19, 2023 by philipbrasor

I normally use the chosen English title for non-English language films in this space, but the one the producers hit upon for this French thriller, The Sitting Duck, sounded too much like something Jerry Lewis would have directed, and though … Continue reading →

Posted in Movies | Tagged | Leave a comment