Author Archives: philipbrasor

Review: The Hyperboreans

Posted on February 8, 2025 by philipbrasor

The Chilean filmmaking team of Cristóbal León and Joaquin Cociña is probably better known outside of Chile for the animated sequences they made for Ari Aster’s Beau Is Afraid than they are for their brilliant 2018 debut animated feature The … Continue reading →

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Review: The Wild Robot

Posted on February 7, 2025 by philipbrasor

Chris Sanders has become the default American animated filmmaker of our present age, and not just because he’s made movies for both Disney and Dreamworks. His themes are generically wholesome while his means of storytelling feels ever more fantastical with … Continue reading →

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Review: Squaring the Circle (The Story of Hipgnosis)

Posted on February 6, 2025 by philipbrasor

Occasionally film projects come together where the director and the subject are so perfectly matched as to have been designed by God. This documentary about the graphic design house Hipgnosis was made by Anton Corbijn, who has already directed many … Continue reading →

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Media watch: Government refuses to remove names of Korean soldiers from war shrine because that’s just the way it is

Posted on February 5, 2025 by philipbrasor

In the middle of January, Japan’s Supreme Court decided against a lawsuit brought by a Korean family against the Japanese government for refusing to remove the name of their deceased relative, who died in the service of Japan’s emperor during … Continue reading →

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Media watch: Government to punish UN office for having opinion similar to that of Japanese citizenry

Posted on January 31, 2025 by philipbrasor

On Wednesday, Japan’s Ministry of Foreign Affairs (MOFA) held a press conference to announce it would freeze funding for the Committee on the Elimination of Discrimination Against Women (CEDAW), which is managed by the United Nations’ Office of the High … Continue reading →

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Review: A Real Pain and Dreamin’ Wild

Posted on January 31, 2025 by philipbrasor

Though Jesse Eisenberg taps every anxiety joke in his second directorial feature and does nothing particularly fresh with them, A Real Pain is quite funny in the way some of Woody Allen’s post-Annie Hall comedies were funny. Characters you’re familiar … Continue reading →

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Review: The Room Next Door

Posted on January 30, 2025 by philipbrasor

As with two of his previous short subjects, The Human Voice and Strange Way of Life, Pedro Almodóvar’s use of the English language in the feature-length The Room Next Door has a stilted, scripted quality that doesn’t necessarily indicate the … Continue reading →

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Review: Filmlovers!

Posted on January 29, 2025 by philipbrasor

At some point in a serious filmmaker’s career they tackle the subject of cinema itself. Usually, it’s in the form of a narrative love letter to the art, such as Truffaut’s Day For Night or Spielberg’s The Fabelmans, but sometimes … Continue reading →

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Hiroshima in context

Posted on January 26, 2025 by philipbrasor

This coming August will mark the 80th anniversary of the atomic bombing of Hiroshima, and at this point in time the ramifications of the act itself remain fairly circumscribed. People still argue as to whether it brought an end to the … Continue reading →

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Review: The Goldfinger

Posted on January 24, 2025 by philipbrasor

Based on a true story, this thriller set in Hong Kong during the 70s and 80s stars Tony Leung and Andy Lau, together for the first time since the popular early-aughts Infernal Affairs trilogy, and was written and directed by … Continue reading →

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