Author Archives: philipbrasor

Review: Queer and Lee

Daniel Craig doesn’t look anything like William S. Burroughs, the Beat Generation author whose autobiographical novel is the source for Luca Guadagnino’s sweaty drama, but he does attempt to mimic Burroughs’ laconic Midwestern drone, albeit with a slight lisp. The … Continue reading →

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Review: Caught by the Tides

Made during the pandemic, Jia Zhangke’s latest is a clever collage of used and unused footage from previous features, as well as new footage that was shot under strict circumstances. The result is a film that attempts to review the … Continue reading →

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Review: Paddington in Peru

It would be difficult to outdo Paddington 2 for comic inventiveness, especially since the third installment of the series doesn’t feature Hugh Grant (spoiler: he shows up in a brief post-credits bit) or Sally Hawkins, who has so far played … Continue reading →

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Review: Cesium Fallout

It says something about the ambitions behind China/Hong Kong’s most recent developments as a commercial movie power that this star-studded actioner is being promoted as the territory’s first “radiation disaster blockbuster,” as if it were a kind of requisite milestone … Continue reading →

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Review: Youth (Hard Times) and Youth (Homecoming)

Earlier this week, in a review for another movie, I wrote that Chinese fiction films rarely tackle work as a central theme. In a sense, Wang Bing’s monumental three-part documentary, Youth, says probably everything that needs to be said about … Continue reading →

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Review: The Beast and It’s Not Me

Though Bertrand Bonello only borrows part of the title and the basic dramatic premise of Henry James’ 1903 novella The Beast in the Jungle, in which many literary experts believe the author was describing his own personal fear of intimacy, … Continue reading →

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Review: Heretic

Hugh Grant further solidifies his post-rom-com resurgence as the extremely creepy Mr. Reed in this fairly intellectual horror movie that puts religious belief on trial. Though not particularly scary as modern-day horror movies go, there’s enough substance in the elaborate … Continue reading →

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Review: All Ears and Joika

For a communist country, the Peoples’ Republic of China produces relatively few non-documentary feature films that focus on work. The theme that has dominated post-Sixth Generation cinema is the personal and psychological costs of a social system that has been … Continue reading →

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Media watch: Archive named for Korean independence fighter not appreciated by anyone

Movie distributor Kadokawa just announced that the Korean movie Harbin, which topped the South Korean box office for several weeks after it opened on Christmas Day, will be released theatrically in Japan on July 4, which is great news for … Continue reading →

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Review: The Maiden

This debut by Canadian director Graham Foy has been compared to the work of David Lynch, though it lacks Lynch’s sense of the absurd. The script, however, does feature metaphysical situations that may throw some viewers off since they are … Continue reading →

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