Author Archives: philipbrasor

Review: Occupied City

Posted on December 27, 2024 by philipbrasor

Award-winning filmmaker and visual artist Steve McQueen interweaves a variety of cinematic approaches into his documentary tapestry of Amsterdam during the Nazi occupation of 1940-45. Based on the book Atlas of an Occupied City by Bianca Stigter, who is married … Continue reading →

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Media watch: SAS response to flight attendant’s plea transcends “customer service”

Posted on December 23, 2024 by philipbrasor

‘Tis the season, as they say, and in that light we thought we’d offer something positive in this space for a change, and where better to look in the Japanese media than Asahi Shimbun’s Mado column, which usually covers heartwarming … Continue reading →

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Review: Between the Temples

Posted on December 20, 2024 by philipbrasor

As a comedy, Nathan Silver’s chamber piece about two grieving people finding each other when they weren’t particularly looking for anyone gets off on misplaced expectations. In the opening scene, sullen Ben Gottlieb (Jason Schwartzman), a cantor who is taking … Continue reading →

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Review: My Imaginary Country

Posted on December 19, 2024 by philipbrasor

Patricio Guzmán’s three-part The Battle of Chile is not only the definitive visual history of the coup that overthrew Chile’s elected president, Salvador Allende, in 1973 and installed the dictator Augusto Pinochet (though, as Pauline Kael once pointed out, the … Continue reading →

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Review: The Making of a Japanese

Posted on December 15, 2024 by philipbrasor

Those of us who were educated in a Western school system may balk at the title of Ema Ryan Yamazaki’s documentary about what goes on at a Japanese public elementary school. It suggests that public education’s goal is indoctrination rather … Continue reading →

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Review: Alcarràs

Posted on December 14, 2024 by philipbrasor

Winner of the Golden Bear at the 2022 Berlin Film Festival, Carla Simón’s second feature is, like her first, set in the Spanish countryside, this time in the agricultural region of Catalonia, which is undergoing huge changes due to real … Continue reading →

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Review: Kraven the Hunter

Posted on December 13, 2024 by philipbrasor

The Sony wing of the MCU—the Spider-verse, to be more precise—continues its trudge toward the next blockbuster Spidey installment with the origin story of one of Peter Parker’s nemeses, who is positioned here as a hero in his own right; … Continue reading →

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Review: The Monk and the Gun

Posted on December 12, 2024 by philipbrasor

There’s a naive charm to this second feature by Bhutanese director Pawo Choyning Dorji that initially might be misconstrued as patronizing in nature, but Dorji obviously knows whereof he writes and the wit and warmth of the presentation are so … Continue reading →

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Review: Sidonie in Japan

Posted on December 11, 2024 by philipbrasor

Since Isabelle Huppert has done so many movies for Korea it seems only fair she’d do one for Japan, but I would hardly call Sidonie in Japan parity. The ones she did for Korea were directed by Hong Sangsoo, who … Continue reading →

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Review: Food, Inc. 2

Posted on December 6, 2024 by philipbrasor

Robert Kenner and Melissa Robledo’s sequel to Kenner’s 2011 documentary Food, Inc. covers much the same territory, but the filmmakers obviously felt that in the wake of the pandemic some issues needed reiteration and clarification. Eric Schlosser, who wrote Fast … Continue reading →

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