Category Archives: Movies

Review: A Real Pain and Dreamin’ Wild

Though Jesse Eisenberg taps every anxiety joke in his second directorial feature and does nothing particularly fresh with them, A Real Pain is quite funny in the way some of Woody Allen’s post-Annie Hall comedies were funny. Characters you’re familiar … Continue reading →

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Review: The Room Next Door

As with two of his previous short subjects, The Human Voice and Strange Way of Life, Pedro Almodóvar’s use of the English language in the feature-length The Room Next Door has a stilted, scripted quality that doesn’t necessarily indicate the … Continue reading →

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Review: Filmlovers!

At some point in a serious filmmaker’s career they tackle the subject of cinema itself. Usually, it’s in the form of a narrative love letter to the art, such as Truffaut’s Day For Night or Spielberg’s The Fabelmans, but sometimes … Continue reading →

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Review: The Goldfinger

Based on a true story, this thriller set in Hong Kong during the 70s and 80s stars Tony Leung and Andy Lau, together for the first time since the popular early-aughts Infernal Affairs trilogy, and was written and directed by … Continue reading →

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Review: The Apprentice

The Japanese distributor of Ali Abassi’s origin story of Donald Trump The Monster probably thinks they’ve scored a coup by releasing it the weekend before Trump’s second term as POTUS begins (it opened in the U.S. about a month before … Continue reading →

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Review: Twilight of the Warriors: Walled In

Though I don’t normally look to Hong Kong kung-fu epics for political meaning, I was puzzled by a central plot point in this 1980s-set action movie directed by Soi Cheang, which reportedly is the first of a series. Raymond Lam … Continue reading →

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Review: A Normal Family

Probably no national cinema addresses the conflicts of social class with the directness of South Korea’s. There’s something almost perverse about Korean filmmakers’ willingness to expose the soul-destroying rot of the capitalist system on its citizens. Parasite is the most … Continue reading →

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Review: Teki Cometh

With its monochromatic palette and focus on quotidian activity, Daihachi Yoshida’s Teki Cometh, which won the Grand Prix at the most recent Tokyo International Film Festival, initially offers a disarmingly unassuming approach to the notion of passing into insignificance upon … Continue reading →

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Review: Emmanuelle

Because Audrey Diwan directed Happening, a movie that honestly addressed abortion, it’s likely her remake of the 1974 softcore classic, which launched countless sequels and copies, will be described as a feminist take on the subject; but even if it … Continue reading →

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Review: Formed Police Unit

Sometimes the background of a movie is more interesting than the movie itself. This action blockbuster about a Chinese UN peacekeeping force sent to a wartorn African country had its shooting schedule extended about half a year after its star, … Continue reading →

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