Monthly Archives: September 2026

Review: Broken Voices

Posted on September 19, 2026 by philipbrasor

Ondřej Provazník’s Broken Voices was inspired by a real life scandal surrounding the Prague-based children’s choir Bambini di Praga. In 2008, the choir’s leader, Bohumil Kulínský, was arrested for having sexually abused two dozen girls in the ensemble over the … Continue reading →

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Review: If I Had Legs I’d Kick You

Posted on September 18, 2026 by philipbrasor

Only a few seconds into this harrowing black comedy by Mary Bronstein, the protagonist, a fortyish Long Island mother named Linda (Rose Byrne), says to her complaining young daughter, “I’m allowed to be sad,” a massive understatement that will prove … Continue reading →

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Review: The Odyssey and Mr. Nelson, Did You Kill People?

Posted on September 11, 2026 by philipbrasor

At this point, it seems impossible to talk about Christopher Nolan’s The Odyssey without addressing his faithfulness—or lack of it—to the original text, which is more than 3,000 years old. It’s an issue I can’t rightly address since I don’t … Continue reading →

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Review: Bob Trevino Likes It and Linka Linka

Posted on September 10, 2026 by philipbrasor

One of the nicer touches in Tracie Laymon’s reportedly semi-autobiographical movie, Bob Trevino Likes It, is the perpetually cracked screen on the cell phone used by the protagonist, Lily Trevino (Barbara Ferreira). As the title suggests, Lily spends an awful … Continue reading →

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Review: Starve Acre

Posted on September 9, 2026 by philipbrasor

Folk horror meets generational family trauma in this confusingly intense exercise in sophisticated campfire ghost storytelling. It’s the bleak 1970s in Yorkshire, England, where academically embattled archaeologist Richard (Matt Smith) has moved his wife, Juliette (Morfydd Clark), and possibly schizophrenic … Continue reading →

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Review: Numakage Public Pool

Posted on September 5, 2026 by philipbrasor

Frederick Wiseman, who died in February, was not only America’s greatest documentary filmmaker, but an anthropologist of rare insight. Though he is mainly famous for perfecting the so-called fly-on-the-wall observational doc, it was his wide-ranging approach to his institutional subjects … Continue reading →

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Review: The Voice of Hind Rajab and 2000 Meters to Andriivka

Posted on September 4, 2026 by philipbrasor

Tunisian director Kaouther Ben Hania has already proven herself to be an imaginative creator of documentaries with Four Daughters, a film in which she showed the real-life subjects of her story coaching actors who would play them in recreations of … Continue reading →

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Review: Backrooms

Posted on September 3, 2026 by philipbrasor

Horror movies work best when their scares are rooted in identifiable psychological unease. Kane Parsons’ Backrooms, one of the most discussed American horror movies of the year, based on Parsons’ own internet photo postings and YouTube series, has a brilliant … Continue reading →

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Review: The Gullspång Miracle

Posted on September 2, 2026 by philipbrasor

The “truth is stranger than fiction” documentary is almost a movie genre unto itself, though its appeal is mostly ironic: no self-respecting novelist would ever countenance a story this outrageous or unbelievable. This Swedish film, the first feature-length doc by … Continue reading →

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