Tag Archives: Francois Ozon

Review: When Fall Is Coming and Dog on Trial

François Ozon’s films are as varied in tone and topic as Steven Soderbergh’s, but since he’s French that tone and those topics exude a European sensibility that doesn’t always export readily to other regions. The title of his latest, When … Continue reading

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Review: Peter von Kant

Though it’s not surprising that François Ozon would admire the work of Rainer Werner Fassbinder, you’d have to stretch to find points of thematic intersection. The most obvious thing the two directors have in common is that Fassbinder was and … Continue reading

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Review: Everything Went Fine

If there’s one theme or idea that runs like a bright thread through Francois Ozon’s films is that it’s often tough to be a member of the educated upper classes in France. Occasionally, he has fun with this theme in … Continue reading

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Review: Double Lover

Though Francois Ozon has made an enviable reputation for himself by being both prolific and consistently engaging, his best movies are throwbacks to enduring styles that have never really benefited from being updated. Double Lover falls into this category. It’s … Continue reading

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January 2011 movies

Here are the movie reviews I wrote for the January 2011 issue of EL Magazine, which came out on Christmas day. They cover films released in Tokyo between late December and mid-January. Burlesque Postmodernism is dead, according to Burlesque, a … Continue reading

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December 2010 movies

Here are the movie reviews I wrote for the December issue of EL Magazine, which came out yesterday. They cover films released in Tokyo between late November and mid-December. Titles without opening dates have already been released. Amelia Mira Nair’s … Continue reading

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