Tag Archives: Hong Sangsoo

Review: The Novelist’s Film

As a formalist, Hong Sangsoo rarely sticks to the same set structure, though, given his stylistic distinctions, many may assume he does. He often plays with time, linearity, and alternate outcomes in order to demonstrate how stories can be told, … Continue reading →

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Best movies 2022

Though the pandemic has in no way subsided in Japan—Christmas Eve marked a new one-day record for deaths from COVID—this year I managed to regain the movie-watching pace I enjoyed before 2019, and therefore am resuming the compilation of a … Continue reading →

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