Author Archives: philipbrasor

Review: Moneyboys

Posted on April 13, 2023 by philipbrasor

The title of Chinese filmmaker C.B. Yi’s debut feature refers to male hustlers in the industrial south of China who cater to male customers. From the first scene when we’re introduced to the protagonist, Fei (Kai Ko), going to his … Continue reading →

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Review: Holy Spider

Posted on April 12, 2023 by philipbrasor

More serendipitous timing: This film about a man who murders female prostitutes in Iran’s holy city of Mashhad is being released internationally as Iranian women ramp up their resistance to the fundamentalist regime that has long kept them down. Not … Continue reading →

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Media watch: Adoptive parents still worry how society views their children, and them

Posted on April 10, 2023 by philipbrasor

Last week, Asahi Shimbun reported on a survey conducted by Jikei Hospital in Kumamoto of parents who had adopted children deposited in the hospital’s famous “stork cradle,” the euphemistically named box where parents can anonymously leave newborn babies they won’t … Continue reading →

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Brendan Fraser saves The Whale

Posted on April 8, 2023 by philipbrasor

During his Tokyo press conference on April 6 at the Ritz-Carlton to promote his Oscar-winning performance in Darren Aronofsky’s film, The Whale, Brendan Fraser, making his first trip to Japan in 15 years, used the words “courage” and “empathy” multiple … Continue reading →

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Review: Air

Posted on April 7, 2023 by philipbrasor

I’m a sucker for movies set in the business world, be they about finance (The Big Short) or sales (The Founder), as long as they center the drama on the transactional nature of commercial enterprise. This isn’t to say I’m … Continue reading →

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Review: Knock at the Cabin

Posted on April 6, 2023 by philipbrasor

Faith is difficult to convey in a movie if the viewers themselves have to be persuaded of its power. Normally, the apocalypse is depicted as having a grounding in natural phenomenon—climate change, asteroids, shifting tectonic plates—but when the source is … Continue reading →

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Review: Girl Picture

Posted on April 5, 2023 by philipbrasor

Though high school coming-of-age stories all adhere to a kind of universal vibe built on notions of sexual awakening and the burgeoning responsibilities of adulthood, each one is delineated by a specific socioeconomic milieu that must be carefully navigated to … Continue reading →

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Number 1 Shimbun April

Posted on April 4, 2023 by philipbrasor

Here is our column for the April 2023 issue of Number 1 Shimbun, which is about NHK’s future as a public broadcaster.

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Media watch: Impossible to leave without a trace

Posted on April 1, 2023 by philipbrasor

For years, even decades, the big story surrounding Japan’s aging society is how to pay for people’s twilight years when so many grow old at exactly the same time. That time is upon us right now, and the story is … Continue reading →

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Review: Tori and Lokita

Posted on March 31, 2023 by philipbrasor

What has always impressed me about the social-issue films of Belgian brothers Jean-Pierre and Luc Dardenne is the way they incorporate an empathetic take on the lives of people living on the margins into stories that are both credible and … Continue reading →

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