Author Archives: philipbrasor

Media watch: The grift that keeps on ticking

According to psychologist Abraham Maslow, human behavior is motivated by a “hierarchy of needs” that start at the bottom with physiological needs and then proceeds up in pyramid fashion to “esteem” and “self-actualization,” meaning psychological needs that must be met … Continue reading →

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Review: A Working Man

If it’s New Years, you can bet the latest Jason Statham movie will be opening in Japan. One of our more reliable action heroes, Statham can generally carry a lame script just with the cut of his scowl, and this … Continue reading →

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Review: In the Lost Lands

There’s obviously some guarantee of box office success in the husband-wife team of director Paul W.S. Anderson and actor Milla Jovovich that’s based on their long-running game adaptation series Resident Evil. Now that the series is reportedly finished, their dwindling … Continue reading →

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Best albums 2025

Since I typically wait until the last minute to compile this list I get to see other people’s beforehand, and the most common comment I read in the last month was that this was one of the best years for … Continue reading →

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Best movies 2025

With each passing year it gets more difficult to adhere to the qualifications for this list. It used to be simple: Any movie released theatrically in Japan for the first time. At some point I started eliminating films that were … Continue reading →

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Review: Sew Torn

Yet another acclaimed short subject expanded into a feature, Freddy Macdonald’s crime comedy definitely feels over-extended, but its main problem is that it’s weird for no good reason. First of all, it takes place in a small Swiss village where … Continue reading →

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Review: Magazine Dreams

Though a bona fide indie, this sophomore feature by Elijah Bynum comes across as a fairly big production owing to its star, Jonathan Majors, who at the time it was made was riding high as box office contender, having scored … Continue reading →

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Review: A Big Bold Beautiful Journey

I would normally advise filmmakers to steer away from ironic movie titles unless their movies were explicitly comedies, but I’m really not sure if the title of Korean-American director Kogonada’s romantic fantasy is supposed to be ironic. Certainly there are … Continue reading →

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The Passion of Shiori Ito

I first saw Shiori Ito’s documentary, Black Box Diaries, about her struggle to bring the man who raped her to some kind of justice, in Oct. 2024 at the Busan International Film Festival. At the opening night reception, the American … Continue reading →

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Review: By the Stream

It’s such a delight to see Kim Min-hee again in a leading role. Though everyone knows that Kim is filmmaker Hong Sangsoo’s partner in both life and commerce, she’s also one of Korea’s best actors, and since becoming Hong’s most … Continue reading →

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