Category Archives: Movies

Review: Maybe I Do

Despite certain heated discussions to the contrary, boomer movie stars, including women, continue to show up in leading roles as they enter their respective eighth or ninth decades on the planet; which isn’t to say they’re getting the quality of … Continue reading →

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Review: Argylle

It wasn’t until after I had seen Matthew Vaughn’s star-studded secret agent parody that I read the New Yorker feature explaining its premise and how it was conceived as the launch of a franchise—the creation of a hopefully lucrative IP. … Continue reading →

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Review: Cottontail

Like the proverbial broken clock that’s right twice a day, as an actor Lily Franky tends to work best when he happens to inhabit a character whose attitude aligns with his hangdog appearance. He’s not much on interpretation, and so … Continue reading →

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Review: Little Richard: I Am Everything

There’s no way that a documentary about Little Richard, the king, queen, and “architect” (his self-description) of rock and roll, was ever going to be dull, but Lisa Cortes’s study, completed three years after the singer’s death at age 87, … Continue reading →

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Review: Feast

Brillante Mendoza’s Feast, which was produced by a Hong Kong company, is one of his more conventional movies, and as such continuously perplexed me. Though it plays up the Philippine director’s normal strengths, it moves in a direction that I … Continue reading →

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Review: Next Goal Wins

Of all the genres that beat the “inspired by true events” dead horse, sports movies are probably the most egregious in terms of making shit up. Taika Waititi, whose last film, Jojo Rabbit, even managed to perplex a lot of … Continue reading →

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Review: Anatomy of a Fall

Justine Triet’s acclaimed courtroom drama is not a whodunnit in the classic sense, but its basic appeal is the same. The mystery is whether the dead person, a French academic, was murdered by his wife, a German writer who, while … Continue reading →

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Review: The Covenant

Though he doesn’t occupy a place in my personal pantheon of revered directors, I acknowledge that Guy Ritchie has created what could be described as an oeuvre: British-identified, comic-inflected, laddish crime capers that are heavy on the violence and homoerotic … Continue reading →

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Review: Soulmate

This mainstream Korean melodrama, based on a popular 2016 Chinese film, was reportedly completed before the pandemic and didn’t receive a proper release in Korea until last year. It chronicles the decades-long relationship between two women starting in adolescence, when … Continue reading →

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Review: Beau Is Afraid

Though one could categorize Ari Aster’s third feature as a horror film, it’s decidedly different in tone and effect than his first two, Hereditary and Midsommar. Those were more conventional horror films in that the viewer was meant to identify … Continue reading →

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