Category Archives: Uncategorized

Here’s this week’s Media Mix about the government’s extension of a tax break for home buyers. Due to end-of-year deadlines, the column was written at the end of 2020, about two weeks before the current state of emergency was declared, … Continue reading →

This year, the Asian Film Awards were presented at BIFF for the first time. Of course, the organizers hoped to have a real ceremony with a real audience, so transferring the awards to Asia’s biggest film festival made sense, since … Continue reading →

I haven’t seen that many Vietnamese movies, but all the ones I’ve seen I’ve seen at BIFF, and I’m pretty sure all of them were about people of limited means, which I interpreted to represent the bulk of the population. … Continue reading →

Debut features, especially by university trained directors, are a crap shoot, since they often replicate graduation projects. That isn’t usually the case, however, in South Korea, where film students with real ambition and talent are put through the ringer, and … Continue reading →

I spent all day on Kazuo Hara’s latest epic, Minamata Mandala, which is six hours and 12 minutes, thus making it almost twice as long as his last epic, Sennan Asbestos Disaster. The two documentaries are very similar in both … Continue reading →

This is the first time in recent memory that there hasn’t been an Iranian film directed by someone I’m familiar with; or maybe I should say it’s the first time there hasn’t been an available Iranian film directed by someone … Continue reading →

Though I’m not writing for a paying media outlet this year, I was still hoping to “attend” a few press conferences. There aren’t that many except for the Opening and Closing films and the features in the Gala Section. Last … Continue reading →

In-person events are the bread and butter of the Busan International Film Festival, which, despite its global reputation as the most important international film festival in Asia and the significance of its concurrent Asian Content Film Market, is by and … Continue reading →

The news that Spanish director Rodrigo Sorogoyen was going to expand his Oscar-nominated 2017 short film to feature length was met with both excitement and dread. The premise of the short was high-concept to the point of gimmickry, and yet … Continue reading →

I was finally given the tools I needed to register for online press screenings for the Busan International Film Festival. Obviously, I’m not there in person, but the organizers were kind enough to invite me to “attend” remotely, the benefit … Continue reading →