Category Archives: Movies

Review: Amrum

The pleasures inherent in historical dramas usually lift them above the average movie in terms of what the viewer can take away from them, which mostly has to do with placing the viewer in an unfamiliar time and place and … Continue reading →

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Review: Tiger Stripes

It’s difficult to screw up a coming-of-age story if you have good intentions. The indignities of puberty immediately lead to internal conflict, and while the physical changes an adolescent goes through is central to the attendant drama, filmmakers are often … Continue reading →

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Review: A Private Life

Though clearly a vehicle for Jodie Foster and her Francophone talents, this chamber piece, directed by Rebecca Zlotowski, attempts to split the difference between Christiesque murder mystery and psychological melodrama, and whether it succeeds will depend on how much the … Continue reading →

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Review: So Long (Ce n’est qu’un au revoir)

Guillaume Brac came to filmmaking relatively late in life in that he didn’t study movies as an undergraduate (he went to business school). Consequently, his work has always betrayed a cautious hesitancy with regard to form and style. In his … Continue reading →

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Review: Obsession

One aspect of this hit horror film that isn’t covered enough is its humor, especially with regard to its central supernatural instrument. Our hero, terminally shy, barely-of-drinking-age Bear (Michael Johnston), has a deep crush on his co-worker Nikki (Inde Navarrette), … Continue reading →

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Review: Dead Man’s Wire

It would be easy to dismiss Gus Van Sant’s latest movie as an exercise in 70s cinema style, which he pulls off with his usual skill and aplomb, but his recreation of a real life hostage incident that took place … Continue reading →

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Review: The Great Arch

It seems axiomatic to say that stories about architects are inherently monumental. People who design buildings contend with the future in ways that are different from how other artists work, simply because their creations are supposed to be useful, presumably … Continue reading →

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Review: Bring Her Back and Good Boy

The Australian Philippou brothers, Danny and Michael, quickly followup their hit debut, Talk to Me, with Bring Her Back, an even more disturbing horror film that relies less on supernatural spookiness; which isn’t to say its plot doesn’t beggar belief, … Continue reading →

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Review: Nouvelle Vague

Richard Linklater is much too practical a director to make a movie that doesn’t attempt to entertain, regardless of the subject matter or mode of expression. As the title of his latest film attests, he means to address the French … Continue reading →

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Review: The Love That Remains and Good Valley Stories

The Icelandic filmmaker and visual artist Hlynur Pálmason requires his audience to put in some effort—not a lot, but enough to force you to pay close attention—in order to make sense of the domestic dynamic at work within the family … Continue reading →

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