Tag Archives: Gaspar Noe

Review: Climax

As the poster boy for post-millennial transgressive French cinema, Gaspar Noe has a reputation that precedes him by miles, and while his newest outrage does nothing to confound that estimation, its musical pedigree makes it somewhat less distasteful, at least … Continue reading

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March 2016 movies

Here are the movie reviews I wrote for the March-April issue of EL Magazine, which was distributed in Tokyo last week. The Big Short At the moment there is no more timely piece of entertainment than Adam McKay’s black comedy … Continue reading

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